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The lively tradition of Hindustani classical music that thrived in the Tagore family of Jorasanko had a big impact on Rabindranath Tagore's musical philosophy. Dwarkanath and Debendranath Tagore's family spent time with famous classical musicians, especially those from the Bishnupur gharana, which helped art and music grow. This study investigates the influence of the structure, aesthetics, and essence of Hindustani classical traditions—namely Pada-gāna, Dhāmar, and Khayāl—on Rabindranath's musical compositions. Rabindra Sangeet, while deeply entrenched in classical heritage, surpasses conventional constraints through its amalgamation of melody, emotion, and poetic sensibility. The paper also looks at how Rabindranath used classical forms, rhythmic frameworks, and melodic structures for his works and how he changed these aspects to fit the emotive and philosophical parts of his work. Ultimately, Rabindra Sangeet evolves into a distinctive artistic language that fuses the rigor of classical music with the spontaneity of lyrical music. This shows how Tagore saw music as a way to talk to God and feel things.
"Rabindranath Tagore and the Hindustani Classical Tradition: A Study of Musical Adaptation and Innovation", International Journal for Research Trends and Innovation (www.ijrti.org), ISSN:2455-2631, Vol.6, Issue 11, page no.63-66, November-2021, Available :http://www.ijrti.org/papers/IJRTI2111013.pdf
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2456-3315 | IMPACT FACTOR: 8.14 Calculated By Google Scholar| ESTD YEAR: 2016
An International Scholarly Open Access Journal, Peer-Reviewed, Refereed Journal Impact Factor 8.14 Calculate by Google Scholar and Semantic Scholar | AI-Powered Research Tool, Multidisciplinary, Monthly, Multilanguage Journal Indexing in All Major Database & Metadata, Citation Generator