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The present article is attempting to re-identify a very short history on feminism and the style of confessional in English Literature. This paper is also scrutinizing the problems of women writing, how ‘they’ are transformed into ‘other’ as well as their emotion and reaction go against the present discourse. I am also, trying to find here the present condition of continental writing around the South-East Asian women writers. It continues through highlighting particularly the two female poets and one of the most controversial feminist writer, an activist from Bangladesh Taslima Nasrin. Throughout, a combination and contradiction of same problem between ‘Orient’ and ‘Occident’ female writers, where their three different poles are mystically connected with each other. The myth of ‘post-modern’ and the pattern of ‘post-structuralism’ in their writing did not allowed them to be free from their writing. Sylvia Plath from America and Kalama Das from Kerala, India. Their works were concerned with the same issues, their anxiety and displacement from the academic or literary arena. In this short presentation I am, here, trying to cover the major issues of their similarity and differences. Contextually, there are also the writers whose ‘confessional’ style in their writing re-establishes the new theme of ‘womanism’ beyond the established genre.
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Cite Article:
"Concept of Confessional Writing An_Article on Sylvia Plath and Kamala Das", International Journal of Science & Engineering Development Research (www.ijrti.org), ISSN:2455-2631, Vol.7, Issue 7, page no.1749 - 1751, July-2022, Available :http://www.ijrti.org/papers/IJRTI2207301.pdf
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ISSN:
2456-3315 | IMPACT FACTOR: 8.14 Calculated By Google Scholar| ESTD YEAR: 2016
An International Scholarly Open Access Journal, Peer-Reviewed, Refereed Journal Impact Factor 8.14 Calculate by Google Scholar and Semantic Scholar | AI-Powered Research Tool, Multidisciplinary, Monthly, Multilanguage Journal Indexing in All Major Database & Metadata, Citation Generator